Inner Motive Forces and The Unbroken Line

In the chapter Inner Motive Forces we learn that the mind, feelings and will are the things that move us forward in life. On stage everyone can use one of these to spark the creative process. By creating a spark in one of these areas it will then spark the other two. So I may be wrong but what I get from this chapter is that everyone starts somewhere different but it will bring us all to the same place if done correctly.

The Unbroken Line points out the fact that in all forms of art (music, design etc.) we feel the need to have an unbroken line in order to feel right about calling it art. On stage your character must possess an unbroken line of events and emotions. The problem is that you only have small moments on lines and there for must create the rest to continue the line and create a convincing life. The actors attention must be continue in a steam to move from object to object but this does not include attention to the audience which is in fact bad.