Adaptation

So adaptation...we as people in life and actors on the stage we adapt the ways we behave, the way we speak etc. to fit the situation we are in, who we happen to be speaking to at the time and what we want to gain from the moment. These adaptations are made both consciously and unconsciously. Then on stage actors have "rubber stamps" which are conscience adaptations of subconscious behaviors. Actions on stage should never just be taken but they should be adapted to fit your needs in the situation. Then as the book starts to talk again about tapping into the subconscious I suddenly don't really understand anymore as has been the case anytime this is mentioned. I think this is because I don't believe that this can be done. If we could access our sub conscience when ever we pleased it would not be a sub conscience.